Showing posts with label Pearl Jam. Show all posts
Showing posts with label Pearl Jam. Show all posts

Sunday, October 11, 2009

Pearl Jam at the Viejas Arena: 10-8-09

This was how it went. The show was in San Diego. My sister lives in San Diego. I figured I could go to San Diego, see the show, and crash at her place. However, the Angels had a playoff game at the very day of the concert. My dad got tickets for my sister and himself. She would not be in San Diego at the time. She told me I could still come, and she ordered her boyfriend to look after me. This ended up working perfectly.

My sister's boyfriend is named Mike. He was extremely accommodating. So much so that he was actually OK with us ditching the lousy seats we were given and sneaking closer. So instead of being up in the nosebleed section staring at Matt Cameron's back all night, we were actually only a few rows up, off stage left--

But you know what, you don't really care about any of that. I'll talk about the show now.

First off, Ben Harper rocks. There's lots of other ways to say that, but none of them sum it up so nicely. He's clearly a powerful enough force to rock a venue on his own, and he deserved way better then a half-empty arena of concert-goers who are barely paying attention. At least they WERE barely paying attention until the tiny, flannel-clad Eddie Vedder staggered onstage and he and Ben ripped through a cover of "Pressure" which really woke everyone up.

Eddie, it turned out, wasn't just staggering around because he's clumsy. Someone who made his name climbing hundreds of feet onto lighting fixtures, leaping over speaker cabinets, and generally being a human tornado wouldn't have made it into his forties if he was clumsy, but at this show he'd be limiting his stuntwork to some gravity-defying yoga-type poses with the very sturdy microphone stand. Other things he tried, like the jumps, the throws, and the simply walking across the stage wouldn't work so well for him.

Blitzed. Three sheets to the wind. Shitfaced. Hammered. Furry. Zipped. Talking to Earl on the Big White Phone (my favorite). Call it whatever you want, it's probably why Eddie Vedder squeaked on his highest notes and breathed through his lowest, but losing his voice didn't stop him at Outside Lands, so getting swimming drunk wouldn't stop him in San Diego. Pearl Jam was wrapping up the American leg of the Backspacer world tour with this show, and three members of the group spent important parts of their lives in the city so they were treating it like a homecoming and celebrating accordingly. "We got lots of family and friends here," said Eddie, "and you guys are making us look really good, so thank you!"

As usual, you'll have to go elsewhere for the setlist. It didn't strike me as that special until the encores, which were heavy on the hits, but this was one of those shows where the energy hit the roof early and just stayed there. The crowd was on their feet, almost every song was a sing-along, and the group were fired up. Quoth Eddie: "We got a shitload of amps and guitars, lets blow the roof off this motherfucker."

THIS is why Pearl Jam has made it almost twenty years. played tens of thousands of shows over almost twenty years, but they seemingly effortlessly convince you that tonight, tonight, is as special for them as it is for you. They are as glad to see you as you are to see them. After tens of thousands of shows to massive audiences all over the world, how the hell they manage to do it is beyond me, but Mike (who had only a passing knowledge of Pearl Jam) walked out of there talking about what a down-to-earth, genuine, likable guy that singer seemed to be. He said it was cool that they played "Last Kiss" facing the seats directly behind them where Mike and I would have been if he hadn't gotten away with stealing closer. That was considerate of them. Then Mike asked if he could burn my Pearl Jam CDs to his computer, and what that song they'd played about surfing was called.

It was called "Amongst the Waves" and it was from Backspacer. We listened to it in the car on the way back to the apartment. Eddie had intro-ed that song by saying "This is a song you'll like if you're a surfer. Or you'll like if you're in love. If you're a surfer in love it'll blow your fucking mind." They ended up playing most of Backspacer that night, including "The Fixer," "Got Some," "Johnny Guitar," (less obnoxious live then it was on the record) and a powerful version of "Just Breathe" that featured just Eddie, alone, with an acoustic guitar. "We've been playing this with a string quartet, but...fuck it, this time I'm going naked." For the record, he remained fully clothed throughout the whole show. Just saying. Mike said that song was what proved to him what a singer Eddie Vedder really is. Even if I, sadly, can no longer deny that the alcohol and a lifetime of smoking have eroded the window-rattling power he had when he was twenty-five, the raw, unironic, unapologetic honestly of his voice is still among the most formidable weapons in Rock and probably (hopefully) always will be.

Eddie told stories about the band's respective histories in San Diego: Matt Cameron was born there, Mike McCreedy lived there as a kid, Eddie spent about two decades there after leaving Illinois, discovering surfing, learning guitar, and working odd jobs as well as morphing into the open wound he'd be when he shipped a demo-tape to some dudes in Seattle who were looking for a singer.

One more story from Eddie: Pearl Jam's single longest-running roadie (now working for Ben Harper) was the first of the band's extended "family" to take the big step into adulthood and have a kid. He had an adorable little daughter, all the more adorable (according to Eddie) for being named "Lou. What's cuter then a girl named Lou?" Eddie remembered going to the hospital the day after she was born to visit her, and catching the new parents on their way home. Dad went to put the new Mom in the car, and somehow Eddie was left holding this day-and-a-half-old baby, trying to shelter her from the pouring Seattle rain.

"She just turned sixteen today!"

He brought "Lou-Lou," a blond girl in a sporty hat who was only a little bit shorter then the front-man, out onstage, put his arm around her, and hugged her like an adoring uncle. Then he had the whole arena sing "Happy Birthday" to her while the band brought out a cake and had her blow out the candles. I didn't miss that when it looked like she didn't have enough lung-power and was gonna miss a candle or two, Eddie, hovering just over her shoulder, lurched forward to help, but she got it. Everyone cheered.

Someone just became the coolest kid in school. Suck it, My Super Sweet Sixteen. You brats all WISH you could be Lou-Lou.

I ask you, how many multi-millionaire, A-list, globe-trotting, platinum-selling bands would do that for the kid of a former roadie?

Mike McCreedy's old high-school drama teacher, whom he has kept in touch with over the years, was there, and that fact had inspired Eddie to track down an important teacher from HIS high-school days, and actually find him! "After thirty years, I just had to tell him..." he gestured around at the audience. "Check this out! This one is for them." And they played Betterman... which of course the entire audience sung along to.

Eddie talked about how he had worked as a night-shift security guard, and had had "a really great boss" whom he had begged to let him get a mohawk, saying "I really appreciate this job and it's a great job and I appreciate that you gave me responsibility, making me SUPERVISOR of night-shift security and gas-pump detail," he said with relish, "and I wish I could promise it would be worth it but I can't because I don't know, it might never go anywhere at all, and I like this job a lot but if I don't do this thing, this punk rock thing, I..." he didn't finish the thought.

And his boss thought about it, hemmed and hawed and eventually said "Yeah, you should do it."

The boss was actually there that night: a huge black guy in the VIP section that Eddie kept pointing at through the whole story. He was pointing back and pumping his fist. The mood was so joyous and communal that Eddie closed with, "I liked that job, it was a great job, but this job, this job I've got now...I AIN'T NEVER GONNA QUIT!" You believe he means it.

I can't help but wonder if that boss had ever heard Eddie sing before he decided to humor his rock and roll dreams. I wonder if he suspected that he'd be standing in a stadium full of thousands of people all transported, all because of his supervisor of night-shift security and gas-pump detail. And his band, of course.

Who knows where talent comes from. Some people are just born with the raw stuff to conquer the world. But it doesn't do everything: far more people have talent then manage to build an actual life with it. Some crash and burn trying. Most take a look at the odds and choose a normal, reliable life instead, keeping their talent locked in a secret box inside them.

Some make it to Viejas Stadium, standing center-stage with their old mentors just off stage left, bursting with pride while an entire arena belts out the words to a song you wrote in your room when you were a teenager.

Also, there is Mike McCreedy. If you ask me he is, bar none, the best guitarist to come out of Seattle since Hendrix himself.

I'm going to quote Jason Owens of the San Diego News Network because it summises the ending of the show perfectly:

"While Vedder takes center stage on almost anything and everything Pearl Jam, the final two songs were definitely about Mike McCready and his guitar.

With the crowd hungry for another Pearl Jam hit, the band delivered with a version of “Alive” from the debut album that featured McCready and Vedder climbing on to the tops of the stage-side speakers as McCready wailed on what may be the band’s most familiar guitar riff.

By the time they closed with “Yellow Ledbetter,” which McCready transitioned into a Hendrix-esque “Star-Spangled Banner,” there was nothing left to give."

The biggest hits had already been played, but the show didn't end. Eddie thanked everyone from the heart and said goodbye, but the show didn't end. Mike had to leave to get to the car before he got ticketed, but the show didn't end. The house lights came up, but the show didn't end. Mike turned the end of his solo into a whole other song while his bandmates ran around throwing guitar picks, set-lists, and drumsticks at the crowd. Up until the very end, the energy level was just insane. Like that, it was over.

Finally the curtain call. Lou-Lou returned to the stage. The two music teachers, who had replaced their students for a cover of "Little Wing," also came back to the stage. Everyone threw their arms around each-other, and bowed deeply.

They don't make rock shows better then this one.

Monday, August 31, 2009

Outside Lands Music and Arts Festival: August 28-30 2009

This is gonna be abreviated because I'm heading to NiN in an hour or so, so I'm gonna do this review in Bullet Point form!

Friday
  • Wish I'd gotten there earlier. Zap Momma was cooking up some bluesy, jazzy magic at the Twin Peaks stage the instant I arrived. I didn't get to hear them for long since I wanted to see Built to Spill but it was quite a way to start the festival.
  • I missed Built to Spill. That's what I get for "short-cutting" through the Beatles: Rock Band tent. I guess I forgot that I'm extremely distractable.
  • Silversun Pickups are one of those buzz bands that's got a hit single and a lot of good press these days, but unlike most of those flavor-of-the-weeks, they actually deserve the hype. Their lead singer/guitarist looks like Caleb Followill and sounds like Billy Corgan, all while stalking the stage like a starving tiger. The bass-player was atypical as well, a pale girl with a purple sundress, gently rolled hair, and a shy-but-confident demeanor. She's one of those bass soloists and her style with the instrument is brisk and effortless. The drummer was a whirl of long black hair, speed and power, popping his drumsticks into the air and turning his shirt dark with sweat. The keyboard guy had a selection of instruments and a hat like the one John McCrea used to wear. This group was playing to a bigger crowd then they were used to and were plainly exhilarated by it: Singer guy said he'd had NO IDEA they were going to get to share a stage with Built to Spill ("One of the best bands in the fucking world!") Then he turned up the volume and rocked the house. This group was the first big surprise of the festival.
  • INCUBUS! If you've listened to rock radio anytime at all since '99, you've heard at least one Incubus song, and they played them all that evening. The lead singer was the slim, beautiful boyish type and was stretching out while his band-mates picked up their instruments, so I knew we were in for some acrobatics. They weren't as intense as hoped, but they had roared through "Pardon me" and another song before stopping for break. The singer had a cold that day (he said) and was nervous about performing, so one of his bandmates suggested getting drunk. The crowd cheered, so he said "From your reaction I'm guessing you agree!" He raised his glass of wine and said "Isn't it great, the way we all look out for each-other?" He finished his glass and had stripped his jacket and shirt off before the end of his set as well for his rubber-jointed flailing, but his illness had made his voice weak and reedy and the rest of the band, though musically more-then-capable, were not engrossing enough for me not to loose the fight against my bladder, give up my spot and head for the bathrooms.
  • Pearl Jam! The main event, and poor Eddie Vedder lost his voice! The golden baritone that has become one of the most famous (and oft-imitated) voices in music was more like the raspy tenor today as he sang around an octave above where he normally would. He apologized for this, saying it was the very end of a long tour and "it's pissing me off that my voice isn't what it usually is, so I'll take whatever help you're willing to give me." Fortunately the show itself seemed built around encouraging this: the setlist never strayed too far from a greatest-hits list, along with "Betterman," "Daughter" (which morphed into "Another Brick in the Wall") and other well-known tracks like "I Am Mine." "The Fixer,"and "Got Some," their newest singles, even got their slots. There were none of the tortured political anthems from their last few albums, no bellyaching, just Pearl Jam enjoying being Pearl Jam, with Eddie Vedder taking flying leaps off of monitors, Mike McCreedy playing the guitar behind his back, Stone Gossard doing scissor-kicks and throwing picks across the stage, Jeff Ament prowling in a circle, and Matt Cameron being the cool cat I totally didn't recognize that night at the Crocodile. Eddie said that a number of people from the Bridge School were there, off stage right, (they were the recipients of most of the flying picks), including Ben Young, Neil Young's boy which might explain part of why the band were so effin' excited. Eddie told the crowd a story about a night "kind of like tonight" about when the band were on their first big national tour and were all revved up and raring to play the same San Francisco polo field where they were playing tonight, when "I came down with the worst case of food poisoning I've ever had in my life." In short, Eddie was out of commission, disaster loomed, and Neil Young swooped in to save the day. Ever since then there's kind of been nothing Pearl Jam wouldn't do for Neil Young. They've been regulars at his annual Bridge School Benefit Concerts for over ten years and have obviously built up some relationships of their own with the students there, judging from the adoring vibes the band kept sending to the alcove just offstage. They rocked their hearts out. There was crowd-surfing. There was jumping. The last encore of the night was a barn-burning rendition of "Rockin' the Free World." All this while their singer's voice was completely shot. Pearl Jam are the real shit.
Saturday
  • Street Sweeper Social Club: I won't lie. I love this band. Tom Morello can do no wrong in my eyes, and while I'm not entirely sold on Boots as a singer (his vocals still tend to get swallowed up in Tom's riffs) this show kicked ass. Converted the two rail-sitters I was sitting next to to instant fans within five minutes too, because it was that kind of show, and they are that kind of band. These guys are the real deal.
  • Portugal: The Man: An indy rock outfit from Wasilla, Alaska that got an unwitting popularity boost when someone else from Wasilla, Alaska became a political superstar over-night and the band took to their blogs to try and warn the country about what they were getting into. I really want to like their band, if just for that reason. Their brand of rock is quirky and dreamy, and the lead singer sounds like a girl. I couldn't figure out if I liked it or not.
  • Mastodon. Alright, ladies, grab your pom-poms! Now gimme an M. Gimme an E! Gimme a T! Gimme an A! Gimme an L! What does that spell?! METAL! Now throw your fucking devil horns in the air and ROCK OUT!
  • TV on the Radio, and I'd thought Boots Riley had some happy feet. I didn't know nothin'. This band of odd-balls make funky psychedelic soundscapes that are creepy and vaguely apocalyptic. They kept tossing the lead vocals around and switching instruments. Pretty cool.
  • The Mars Volta, sharing the headlining time-slot with Dave Mathews, couldn't have been LESS like Dave Mathews if they were from another planet altogether. Think a cross between Pink Floyd and Metallica, with some Latin seasoning and a lead-singer with 80s hair who will get into a fight with his own band's name-placard and loose, right before putting his foot right through it. And at least a dozen crowd-surfers. It was demented, and I was hooked 30 seconds in. Wow.
  • I can't tell you how Dave Mathews was because by the time I got to the crowd, I realized I had dropped my camera and spent the set running around shining my flash-light at people's feet, but my friend David is a huge Dave Mathews fan, and was watching on the Webcast so when he says it was a great show, I'd believe him. I still haven't contacted my two rail-sitting friends, who were looking forward to seeing them on Facebook, because I can't believe I've lost ANOTHER camera. That makes a total of four. I am NOT getting another one until I figure out who put this Camera-Jinx on me and how to fix it.
Sunday
  • Bettye Lavette said, during her mini-bio "when I was sixteen this was the first song I cut. And when I was sixteen, not only did I know I was a singer...I also thought I was a star." Well, she might not have been famous when she was sixteen, but she was always a star. She was born a star. In an alternate universe, she was as big as Aretha Franklin. She even moved away from the mic to bellow out her song from the Main Stage and everyone HEARD her. What a powerful voice on that woman. Her guitarist, a long-haired man who had to be around half her age, introduced some truly searing guitar work to the soul anthems, joining her center-stage for a little dance number at one point. So even though she might have looked more at home in a glittering dress in a smokey nightclub then in jeans and a leather jacket on an outdoor stage at 1am on a foggy day, but she guided her set with the unshakable hand of a born star. In another world, she would have been as big as Aretha Franklin. She has the goods.
  • Modest Mouse were trying hard, they really were, switching instruments and bellowing through different microphones, and they inspired lots of smiles and head-bobbing, but they distinctly failed to electrify the crowd. Maybe they were having an off-day (their old guitar-player has left), but they didn't help their case by not playing any songs anyone knew. Really, I go see Modest Mouse perform, and they don't play "Float On?" Really? But I've heard from other sources that live performance is just not a strength for Modest Mouse, which is a shame because they have some genuinely interesting stuff in their catalog.
  • M.I.A, on the other hand, WAS electricity. This woman brings the idiosyncratic fashion without the class-baiting, richer-then-thou flavor of Lady Gaga, and with her two female backup singers, two blue-suited male backup dancers, and beat-meisters all decked out in Micheal Jackson T-shirts, she ruled the stage. She threw horns into the audience. She made it look so easy. AND she played "Paper Planes" to close, so whatever aversion Modest Mouse has to their own hits, she didn't share. She's amazing. Sunday was a good day for the ladies at Outside Lands.
  • Tenacious D (aka "Jack Black's Band") filled in for the Beastie Boys and were (as a friend of mine had predicted) hilarious and fantastic, just not headliner-caliber fantastic. Lots of people were grumbling at the D getting the headlining slot when there were plenty of other acts on the bill that could easily have been bumped up to headliners (M.I.A could have done it easily), and it turned out to be pretty justified. That's not to say their act isn't funny: but if you've seen "Pick of Destiny" you've seen pretty much all of Tenacious D's material. I hope Adam gets better soon. The Beastie Boys were missed that night.
Alright, that's my bullet point synopsis. Time for NiN.