I left this show convinced of two facts. One; Elvis Costello kicks ass. Two: I do not know enough about his catalog, his history, and music in general to fully appreciate how much ass he really kicks.
On the drive home, my mom had to explain to me that His rendition of a deeply romantic love song called "Alison" contained snippets of "fuck you" songs from the 60s like "Tears of a Clown." Songs which I, being a child of the 90s and 00s, have never even heard of before: a hole in my education that I was never aware of before now.
Elvis Costello is way smarter then me. That's the third fact I left convinced of. He's also the only rocking frontman I can think off off the top of my head who performs in a suit and tie. I guess in recent years he's toned down his Buddy Holly style: wearing smaller glasses and incorperating touches like a violet tie and patterned turquoise shirt into his wardrobe. He plays his gold-top slung low, or his telecaster suspended in front of him with one hand: punkish moves Buddy Holly never did. And you'll still catch Elvis wiggling his legs like back in the day. More then anything else he has that quality that just dictates that when HE'S onstage, it doesn't really matter who else is there or what they're doing: he's the one you look at. That's a quality you can't teach: you either have it or you don't, and Costello, like Springsteen, and Reznor, has it in spades.
Which isn't to say his band wasn't worth watching. His back-up band for this tour was called The Imposters, and consisted of a stout, goateed drummer, a bass player all bedecked in head-to-toe white, complete with a white cowboy hat, and a keyboardist who's rig of keyboards, sythesizers, and odd gadgets would make him the source of the most interesting wailing, space-agey sounds. He even took a cue from one of Costellos lyrics and played a note with his toe, and him not so young neither!
Too bad the Casino audience sucked. For starters, any audience comprised of mostly middle-aged white people (and some younger white people) seemed unable to manage such tricky feets as "clap in rhythm" or even "Stand up out of their chairs." Costello was clearly gesturing that he wanted the people of orchestra level to gather at the foot of the stage, and since he did so during a roundy rousing number, quite a few people down in front tried to comply, only to either get dispersed by a house bouncer or by their own misguided sense of propriety. Bad audience karma. Blarg.
Speaking of house bouncers, this leads me to the biggest problem of the night.
Short.
This show was too short!
The show did not start until 9pm. It ended, after a highly abreviated encore, promptly at 10:35, the house lights came on less then a millisecond after the band had left the stage. B.B King also had this problem: the man could have played all night, but there was a house curfew to meet.
This is the downside of gigs at Casinos. This theater was large, state-of-the-art and beautiful, but the casino wants the show to end early. Their whole motivation for hosting the show is to funnel people through the casino, and they want to make sure the show ends with plenty of time for the audience members to gamble some more.
I know I'll be trying to see Elvis again, but not until I've done some serious homework. And hopefully, not at a Casino.
Saturday, July 11, 2009
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